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This work is by Hubert Julian "Jay" Stowitts, a multifaceted American artist, ballet dancer, and set designer who gained international acclaim for his portraits and theatrical designs. Known for his technical precision and vivid color palettes, Stowitts’ work often draws from his extensive travels and deep interest in Eastern philosophies and performing arts.
Given the dimensions and the artist's history, this piece likely originates from one of his major mid-career series, such as "The Work of Stowitts for Fay-Yen-Fah" (costume and stage designs for the Chinese opera) or his celebrated portraits of Javanese theater and Indian life. His style seamlessly blends the bold graphic elements of Art Deco with a meticulously detailed, ethnographic approach. Stowitts' compositions are characterized by their dramatic use of space and a focus on the human form in motion or ritualistic repose.
H: 19 in W: 17 in
As an original work from the early to mid-20th century, the piece appears well-preserved. If it is a pastel or gouache on paper—materials Stowitts frequently employed—the colors remain saturated and the fine linework is sharp. There is no immediate evidence of foxing or significant paper toning. The frame is structurally sound and provides a clean, professional presentation.
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